SAN FRANCISCO BOYS CHORUS

Grammy Award-winning boys chorus offering first rate performance experience and musical training to boys in the San Francisco Bay Area for sixty years.

"...an educational organization as well as a respected artistic entity" - San Francisco Classical Voice

ABOUT US

Summary

About

Mission Statement

Performing Philosophy

Values

Brief History

Recent Biography

Curriculum

Touring

Advancement and Promotion

Auditions

Faculty

Rehearsals

Rehearsal locations

Board of Directors

 

 

About us...

 

The San Francisco Boys Chorus (SFBC) is an internationally acclaimed Grammy-award winning not-for-profit music education and performing arts organization at the heart of San Francisco’s cultural center. The chorus serves over 240 singers from 50 Bay Area cities and more than 120 schools at three Bay Area campuses. SFBC’s goals are to:
  • train musically gifted youngsters, ages kindergarten through age 18, to perform choral music at the highest level of artistic merit;
  • provide local, domestic, and international choral concert opportunities;
  • and foster the choral music tradition.

The Boys Chorus legacy began in

1948, pictured here in 1954.

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Mission Statement


The mission of the San Francisco Boys Chorus (SFBC) is to provide music education, vocal training, and performance experience at the highest artistic level to Bay Area boys from all cultural, ethnic, and economic backgrounds. The Chorus experience encourages appreciation of music, self-discipline,
confidence, commitment, teamwork, and respect for others.

 

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Performing Philosophy


Concerts and other performing opportunities are the end-result of countless classes, camps, and rehearsals. Performing helps choristers advance musically and mature as young men while gaining appreciation for diverse people and experiences. Public appearances also help ensure the sustainability of choral music in the Bay Area and worldwide.
 

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Values

 

The San Francisco Boys Chorus exists to discover, develop and encourage boys with unchanged voices through its music programs. Its heritage of more than fifty years of training young performers for the opera and other major musical institutions has established the highest standards of excellence with which our boys are trained for today and prepared for tomorrow.

 

We believe that the lives of all people are enriched and strengthened by a love of music. The quality of life in our communities is enhanced when there is a wide variety of opportunities for participation in musical activities and other artistic pursuits. Beyond its deep commitment to quality music education, the Chorus experience builds a boy’s character as well as his talent. All of our programs reflect an instructional approach designed to nurture self-esteem, leadership, independence, discipline, and responsibility, as well as a life-long love of music.

 

  

 

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Brief History

 

The Grammy Award winning San Francisco Boys Chorus (SFBC) was founded in 1948 by Gaetano Merola (first General Director of the San Francisco Opera) and Madi Bacon to provide trained boy singers for the San Francisco Opera, and is today led by Artistic Director, Ian Robertson. Maestro Robertson – who also serves as Chorus Director for the San Francisco Opera – has since his 1996 appointment to the SFBC built the chorus to over 200 youngsters from 48 Bay Area cities and more than 115 schools at campuses in San Francisco, Oakland, and San Rafael. Since 1948, the Chorus has grown into a distinguished education and performance organization and has performed with the San Francisco Opera during every season in which parts for boy choristers have been required. For four decades, San Francisco mayors have recognized the San Francisco Boys Chorus as official “Singing Ambassadors of San Francisco.” 

 

 

 

The Boys Chorus has toured domestically and internationally singing in concert halls and cathedrals on four continents. Recent tours have included Hong Kong, Japan, China, Australia, Austria, Czechoslovakia, England, France, Greece, Hawaii, Hungary, Ireland, Israel, Italy, New Zealand, and Russia. Choristers have sung for U.S. presidents, the Pope, H.M. Queen Elizabeth II of Great Britain, and the President of the Soviet Union. In addition to appearances with the San Francisco Opera, the Chorus has appeared with the San Francisco Symphony and San Francisco Ballet.

 

The Chorus also performs at Bay Area civic and sports events (SF Giants), conventions, and private business and social events. Experiences like these have for decades helped build confidence, musical aptitude, and self-discipline in boys. The SFBC opened an East Bay (Oakland) campus in 2003 and a Marin (San Rafael) campus in 2004. The Graduate Chorale, which now allows choristers with changed voices to continue studying and performing with the Boys Chorus, was founded in 2002.

 

 

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Recent Biography

 

 

 

In 2006, the SFBC’s Concert Chorus sang Liszt’s Dante Symphony with the San Francisco Symphony and Mahler’s Third Symphony as well as a featured “Spotlight Concert” at the Grand Teton Music Festival, in Jackson Hole, Wyoming. The Chorus also sang for the Boy Scouts of America’s Annual Gala with special guest, the King of Sweden. The Chorus has appeared in the San Francisco Opera’s production of Georges Bizet’s opera, Carmen.

  

In 2005, the SFBC performed important works including Gabriel Fauré’s Requiem, Op. 48, Henry Purcell’s Come, ye sons of art, and Franz Joseph Haydn’s Missa Brevis, as well as a variety of lighter choral favorites for over 76,000 audience members. The Chorus also embarked on a four-city, thirteen-day concert tour of Hong Kong, Shanghai, Tokyo, and Nagoya (Japan), where it appeared at the Aichi World Expo 2005 and performed for the governor of Tokyo. When the tour started, San Francisco Mayor Gavin Newsom proclaimed July 22, 2005, as “San Francisco Boys Chorus Day in San Francisco,” in honor of the Sister City relationship between Shanghai and San Francisco.

 

  

 

Appearances closer to home have included the royal visit of England’s Prince Charles and his wife Camilla, Duchess of Cornwall; Bay Area Nobel Laureate’s Recognition Ceremony at the San Francisco Exploratorium; the San Francisco Opera’s productions of Pique Dame (The Queen of Spades) and Mozart’s The Magic Flute for Kids; and broadcasts on KQED-TV, Channel 9. Additional highlights from the 2005-06 season include guest artist concerts at the Orinda Performances Series, Orinda, California; St. John’s Episcopal Church, Ross, California; and The National Anthem at a San Francisco Giants baseball game. The Chorus toured domestically to The Heritage Music Festival in Anaheim, California, and participated in the 10th Annual HNU Children’s Choral Festival in Oakland. Finally, in early 2005 the SFBC raised funds for UNICEF by presenting a benefit concert to help the victims of the Asian Tsunami with featured guest artist and internationally acclaimed mezzo-soprano Frederica von Stade.

  

Inspired by Mayor Willie L. Brown, Jr. and Judge Marilyn Patel, the SFBC in 2005 spearheaded efforts to diversify chorus enrollment. During its first year, The Willie L. Brown Jr. Music Scholarship for Boys allowed talented youngsters from San Francisco’s Bay View Hunters Point and Western Addition neighborhoods to begin choral training. The scholarship aims within five years to train 40 boys in choral music. Under Maestro Robertson’s direction, the SFBC has recorded two CDs: We’re on Our Way (2000) and Moving On (2003). Ongoing recording efforts are always part of the SFBC's activities.

 

 

 

As the SFBC prepares for its 60th Anniversary in 2008, the Chorus reflects on past achievements, including tours for more than thirty years to cities including Venice, Vienna, Budapest, Prague, Osaka, Taipei, Seoul, Assisi, Sydney, and countries including England, France, Italy, Hungary, Austria, Romania, Israel, Scotland, Wales, China, Japan, and the former Soviet Union. Other distinguished audience members over the years include U.S. General Colin Powell; Queen Elizabeth II of England; Pope John Paul II; Mikhail Gorbachev, President of the Former Soviet Union; and Tipper Gore; as well as local politicians such as California Governor Arnold Schwarzenegger, San Francisco Mayor Gavin Newsom, and former San Francisco Mayor Willie L. Brown, Jr. The San Francisco Boys Chorus has also been featured at the White House Christmas Tree Lighting.

 

The San Francisco Boys Chorus’ close ties to the San Francisco Bay Area allows the Chorus to appear not only with well-known arts organizations like the San Francisco Opera, San Francisco Ballet, and San Francisco Symphony, but also for local civic and community events, including the annual Macy’s Union Square Christmas Tree Lighting, and the 2004 U.S. premiere of the popular French independent film, Les Choristes.

 

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TOURING

 

The Chorus’s talent has also been internationally acclaimed during its many national and international tours. In 1975 the Chorus made its premier appearance in Romania and has since performed in Alaska, Australia, Israel, England, Scotland, Wales , Russia and the Far East. The year 1998 marked the SFBC’s fiftieth anniversary and featured celebrations which included the Chorus’s debut concert at New York’s Carnegie Hall and a summer concert tour to England in which it performed at the Chichester Cathedral Festival, St. George’s Chapel in Windsor Castle, the Henley Arts Festival and the City of Birmingham Choral Festival. In the summer of 2000, the Chorus took a forty-member contingent on its “European Tour 2000,” visiting and performing at high profile venues, including St. Mark’s Basilica in Venice, Seckau Monastery in Austria, Matthias Cathedral In Budapest, Vienna’s St. Augustiner Kirche and St. Nicolas Church in Prague.

 

    

 

In July of 2003 the Concert Chorus and the newly formed Graduate Chorale totaling fifty choristers, embarked on a concert tour of Europe for performances at revered locations such as St. Peter’s Basilica and the Pantheon, Rome: Santa Maria Maggiore in Ferentino; Chartres Cathedral; Paris' Notre Dame Cathedral and the Church of the Madeleine and St Margaret's Church, Lothbury in London. The SFBC continues to promote the spirit of music through discipline, hard work and artistic talent, thus furthering its influence on the local and international scene through a tradition whose roots go back over half a century.

 

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REHEARSALS

 

Regular Weekly Rehearsals
SF Campus

Concert, Intermediate: Mon/Wed, 4:30-6:30
Apprentice Chorus:  Mon/Wed 4:15-6:15

JA: Mon/Wed, 4:00-5:00
P: Wed, 4:00-5:00
G: Mon, 6:00-7:00
YB: Wed, 6:45-8:00
B: Fri, 6:30-8:00

East Bay Campus
I, A: Tues/Thurs, 4:30-6:30
JA: Tues/Thurs, 4:00-5:00
P: Thurs, 4:00-5:00
 

Marin Campus
I, A: Tues/Thurs, 4:00-6:00

Legend
 

C = Concerts

I = Intermediates

A = Apprentices

JA = Jr. Apprentices

P = Preps

G = Grads

YB = Young Bells

B = SFBC Bells
 

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Rehearsal Locations

 

Our San Francisco campus is at Jones Memorial United Methodist Church, 1975 Post St, San Francisco.

Our East Bay campus is at Mormon Interstake Center, 4780 Lincoln Ave, Oakland.

Our Marin campus is at the St Paul's Episcopal Church, 1123 Court Street, San Rafael

 

 

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ADVANCEMENT AND PROMOTION

 

Promotions from one group to the next may take place at the end of each semester. Advancement of each chorister depends on his musical achievement, behavior, general maturity, and the musical needs of the Chorus. The chorister is promoted at the discretion of the Artistic Director and the music staff, when they believe a boy is ready. A boy who is musically advanced but lacks maturity may not be promoted as rapidly.

 

Written progress reports are sent to parents twice yearly. Parents may discuss their chorister’s progress throughout the year with his director. Parents are also encouraged to give the Chorus feedback throughout the year and especially via the Year-End Evaluation survey. This tool is used to help us improve the program, as well as to help us secure funding from foundations.

Promotion into the Concert Chorus of the San Francisco Boys Chorus includes the following considerations:

  • Recommendation of the Intermediate Chorus Director

  • Audition with the Artistic Director and Concert Chorus representatives

  • Interview discussing responsibility and understanding of expectations for artistic excellence

  • Signing and meeting the behavioral standards agreement

General criteria include:

  • Continued vocal and musical growth

  • Continued growth in music reading skills

  • Ability to sing and hold a part

  • Achievement of the appropriate level of theory

  • Readiness to achieve in the next chorus level

  • Good conduct, regular attendance and punctuality

  • Good attitude and willingness to work hard in rehearsal and at home

  • Personal responsibility and leadership in and out of rehearsals

  • Openings in the higher group, and the overall needs of the Chorus

All boys (except Preparatory Group) attend two practices a week - Monday and Wednesday from 4:30 to 6:30. As a rule, parents form car pools to get boys to practice. There are car pools from virtually every part of the Bay Area. There are two public concerts a year at which all the boys perform - one in December and one in June. In addition, the Concert Chorus performs a couple of times a month at special civic events, for visiting dignitaries, for private parties and meetings, and of course at the San Francisco Opera. The San Francisco Boys Chorus has been an institution at the opera since the Chorus' founding in 1948.The boys also sing regularly at the San Francisco Giants and the Oakland Raiders Games.
 

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AUDITIONS

 

Auditions are held in September, January and April. Auditions are informal and last ten minutes. Boys are asked to sing a song of their choice, clap in time to rhythm, and match a pitch played on the piano. Boys are invited to join the Chorus on a three-month probationary period. Please call 415-861-7464 (x306) or email auditions@sfbc.org for an appointment. Audition requests outside regular audition times are granted under certain circumstances.

 

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FACULTY

 

IAN ROBERTSON
Artistic Director

 



Awarded the Olivier Messiaen Foundation Prize for his artistic contribution to the preparation of San Francisco Opera’s (SFO) North American premiere of Saint François d’Assise, Ian Robertson has been Chorus Director and conductor with this Company since 1987 and has prepared more than 200 productions. He has served as Artistic Director of the San Francisco Boys Chorus (SFBC) where he has been responsible for the phenomenal growth in the organization’s musical stature and reputation. He recently prepared the SFBC and the newly-created San Francisco Festival Chorale for performances of Mahler’s 3rd Symphony at the Grand Teton Music Festival in Wyoming.

 

Robertson made his SFO conducting debut with the 1988 production of Lady Macbeth of Mtsensk and has since led performances of Falstaff, Lohengrin, Rigoletto, La Traviata, Don Carlo, Turandot,Il trovatore and La Bohème. In addition to his highly praised work with the Opera Chorus, he has led the Opera Orchestra and Chorus in many concerts.

 

Additional conducting assignments include the San Francisco Opera Center’s The Italian Girl in Algiers, Cosi fan tutte, La Perichole, The Elixir of Love, La Boheme and he conducted the Merola Opera Program’s Grand Finale Concert for eight consecutive years. He has led Don Giovanni for Sarasota Opera, The Magic Flute and Rigoletto for Edmonton Opera and has conducted La Rondine, Iolanta, Eugene Onegin, The Rape of Lucretia, Don Giovanni, Vanessa and The Rake’s Progress for Curtis Opera Theatre in Philadelphia. He recently conducted a concert of “Greatest Opera Choruses” with the Mendelssohn Choir of Pittsburgh and the Pittsburgh Opera Orchestra.

Before joining San Francisco Opera, Robertson was Head of Music and Chorus Director of Scottish Opera, where he conducted The Barber of Seville and led The Secret of Susanna for Scottish Television’s award-winning film. He went on to conduct several productions for that company, including The Pearl Fishers, Rigoletto, My Fair Lady, The Abduction from the Seraglio, Die Meistersinger von Nürnberg and The Magic Flute, as well as concerts with the Scottish Opera Orchestra. He worked as Assistant Director with the Edinburgh International Festival Chorus and the Scottish National Orchestra Chorus. He was Music Director of the Scottish Youth Theatre.

 

A native of Scotland, the maestro trained at the Royal Scottish Academy of Music and the University of Glasgow. He has appeared as pianist at the Edinburgh International Festival and the Wigmore Hall and Purcell Room in London. He recorded recitals for the BBC and appeared as pianist with the New Music Group of Scotland in contemporary works and with Cantilena as harpsichordist.

 

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MARGARET NOMURA CLARK

Director of Training Chorus, the Intermediate Chorus and East Bay Campus
 

 

 

 

 

 

 

 

 

 

 

 

Margaret Clark has been a part of the San Francisco Boys Chorus since 1996. She has conducted the Apprentice and Intermediate Groups and directs the Training Chorus program for all boys in the Preparatory through Intermediate choruses. She also directs the East Bay Division of the San Francisco Boys Chorus. She earned her Bachelor and Master degrees in Music Education from the Oberlin Conservatory. Her choral aspirations began as a student in the music program at San Francisco University High School and in choral workshops with Robert Shaw. She has worked exclusively with children’s choirs in Ohio, New York and Japan. Margaret has also directed the preparatory choral divisions of the San Francisco Conservatory In addition to her work with SFBC, she teaches general music to preschool through middle school at the Pacific Academy of Nomura School in Richmond
 

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KATHERINE McKEE
Director of Apprentice Chorus and Marin Campus

 

Katherine McKee began her conducting career as director of the choirs at the Protestant Chapel of Hanscom Air Force Base near Lexington, Massachusetts. Subsequent positions include direction of the music program at St. John's, Westwood, Mass., and an assistant's position at St. Bartholomew's Church in New York City. She also served for several years as assistant director of the Gregg Smith Singers. A former violist, she directed orchestras in the public schools of Somerset, Mass., and was assistant conductor of the Jamaica Plain Symphony. In the Bay Area she has served as an assistant conductor for the San Francisco Boy's Chorus, and asmusic director for San Francisco Lyric Opera's 1999 production of Verdi's Otello. She also served prompter and chorus master for the S. F. Lyric's productions of Norma, Werther, & Tosca.

She is active as a vocal soloist and chorister throughout the Bay Area, performing regularly with the San Francisco Opera Chorus, American Bach Soloists, and the Philharmonia Baroque Orchestra. Twice a graduate of New England Conservatory of Music, she holds a Bachelor of Music degree in Music Education and a Master of Music degree, (with honors) in Choral Conducting.

 

A singer as well as a conductor, she is active as a soloist both in concert work and on the opera stage throughout the Bay Area. She has performed as a soloist with the American Bach Soloists under the baton of Jeffrey Thomas, Philharmonia Baroque Chorale under the direction of Nicolas McGegan, the San Francisco Symphony under the direction of Michael Tilson Thomas, Emil de Cou, and Vance George, as well as in performances with the San Francisco Choral Society, Oakland Symphony Chorus, Camerata Singers of Monterey, St. Luke's Oratorio Choir, and the Sanford Dole Ensemble. During the summer of 2000 she was a featured soloist with the San Francisco Boy's Chorus on a two week tour of Europe under the direction of Ian Robertson, and is honored to have been asked back for their upcoming 2003 tour. Opera credits include performances with Berkeley Opera, San Francisco Lyric Opera, Spellbound Productions and the Bay Area Summer Opera Theater Institute in such roles as Azucena in Il Trovatore, the title role in Carmen, Principessa in Suor Angelica, and Madame Flora in The Medium. Ms. McKee performs regularly with the San Francisco Opera Chorus, American Bach Soloists Choir, and the Philharmonia Baroque Chorale. She is music director at Holy Innocents' Episcopal Church and alto soloist at Congregation Emanu-El, both in San Francisco, and maintains a busy vocal studio. She has recently become the director of the Apprentice level boys for the San Francisco Boys Chorus.

 

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JENNIFER MAXWELL COOPER

Theory Director, Prep Director (SF), Jr. Apprentice & Prep Director (EB)

 

 

Jennifer Maxwell Cooper is an active member of the Bay Area’s music teaching community. She has taught voice in her home studio and choral and classroom music in middle and elementary schools. She has performed in church and community choirs including Cantare Con Vivo Chamber Ensemble. Ms. Cooper served as the Assistant Director of Music Ministries at First Presbyterian Church of Berkeley and is currently the music specialist at the Pacific Academy lower school in Richmond. Ms. Cooper received her early training at the Baldwin-Wallace College Conservatory of Music in Ohio and her master of music in music education at Holy Names College in Oakland. She joined the faculty of the San Francisco Boys Chorus in the Fall of 2005.

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CAROLYN SPITZ

Junior Apprentice Director in San Francisco and Sight Singing Instructor

 

 

Carolyn Spitz began working with the SFBC in the summer of 2005 as Acting
Intermediate Chorus Director and Theory Instructor. She did her undergraduate music studies at San Francisco State University and is a Candidate for a Master’s in Music Education with a Kodály emphasis at Holy Names University (May 2007). She currently sings
with the San Francisco Symphony Chorus and has sung with San Francisco Concert Chorale, San Francisco Bach Society, and the California Bach Society. She is a National Association of Teachers of Singing award winner. Carolyn is also a Vocal Coach and Guest Conductor at Lick-Wilmerding High School in San Francisco.

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CHARLES CALHOUN
Concert Chorus Accompanist and Associate Conductor

 



Charles Calhoun's work as accompanist, coach, and instructor has taken place on four continents. His credits include the Edinburgh Festival, BBC Television, the Metropolitan Opera National Council Auditions, and the Instituto Superior de Arte of the Teatro Colon, Buenos Aires . Locally, he has served on the Music Staff of Opera San Jose and the Sacramento Opera Association, and has assisted in the preparation of performances of the San Francisco, Berkeley and San Jose symphony orchestras and the Philharmonic Baroque Orchestra. A respected educator, he has served as coach and lecturer to university and conservatory students at several Bay Area institutions. In addition to his work with SFBC, his present appointments include those of Music Director of the Swedenborgian Church , San Francisco , and Organist at Peninsula Temple Sholom, Burlingame.
 

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RICHARD MEYER
Bellringers Co-Director

 



A native of La Crosse , Wisconsin , Dick Meyer has been co-directing the San Francisco Boys Chorus’ Bellringers since 1994. He is also the director of the Oakland Municipal Employees Chorus as well as Director and soloist of the Oakland Fruitvale Presbyterian Church Choir. The SFBC Bellringers have performed in renowned venues including Grace Cathedral, St. Dominic’s Church, Calvary Presbyterian, Ghirardelli Square, and Pier 39. Dick has been with the SFBC since 1963.
 

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BETSY MARVIT
Theory Instructor

Betsy Marvit first started working for the San Francisco Boys. Chorus in 1998. An award winning composer, Betsy graduated from the San Francisco Conservatory of Music, where she is now a professor. At The Crowden School, she directs the lower school choir, and is also part of the composition/piano faculty. On weekends she directs the Crowden Community Music Center choir, and composes music at a level appropriate for her students to perform.
 

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DAVID KNIGHT
Bellringers Co-Director

Born and raised in Porterville ,California, Dave Knight received a BA in Music from California State University , Hayward in 1981. He was a counselor at his first San Francisco Boys Chorus Camp that summer, and also began ringing handbells in the staff choir. He has been through eleven camps since then, the last four as a part of the music staff. David is also currently assisting in the start-up of Music Theater of the Redwoods, a summer camp in Sonoma County

 

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BOARD OF DIRECTORS

 

President

Geoffrey Quinn, MD

 

Treasurer

Myrna Hymans

 

Secretary

Chris Weicher

 

Parent Representative

Elizabeth Porter

 

Directors

Fred Dorey

Michael Fujimoto

Stephen Hester

Gary Jones

Michael Kopec

Lorraine Massa

Richard Thomas

 

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